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Just lliked this article so that to share it with you all, as it’s of one of the blogger have written in AOL India Blogs about the movie Jodhaa Akbar in a very classy way:

To borrow the famous words of Mel Brooks,”The Legend had it coming”. At least it deserved a perspective from one of our best film makers.

Another two weeks before the might of the Mughal Empire unleashes on a Cinema screen near you.
And for the majority who is apt to get confused at the whole premise of AKBAR the GREAT and this Rajput Princess “thingy”, better ruffle through those old history textbook pages once again, if you can find them, that is.
It shouldn’t matter anyways.

For the rest who scream from the nearest fort ramparts about how Ashutosh Gowariker is shortchanging history and manipulating facts to his own interests, I say, please give him a break.
He has proved to be a great story teller, and a fine craftsman of the Silverscreen and if he wants to tell you a story in his own terms, let him do it.

Knowing Ashutosh Gowariker and his portfolio of fine craftsmanship, JODHA-AKBAR wouldn’t be disappointing. I am hoping that my wait was worth it. AR Rahman’s music that seems to be flowing at you from every second FM station these days doesn’t seem to disappoint you. Though as far as Ashutosh’s handful of movies are considered, the music played its part in the entire movie and then kept quiet. The stress was on the wholesome movie and not on the “item” numbers which usually are marketed as by-products of the main movie.

For those who came into the history classes late, or have never ever attended it once, arguably(after all, it wouldn’t be history if we didn’t, get it.) Jodha Bhai was the daughter of King Bharmal who gives away her daughter in marriage to young Jalaluddin, who makes his valiant presence felt in the battlefield, and is soon to be crowned and be known as Akbar the Great.

In keeping with the traditions based on the social customs and conditions of those times, marriages were more political alliances than “suitable”matches, and they kept the entire machinery of the Hindustan’s splintered royalty chugging on smoothly.

Seen as a prequel to Mughal-e-Azam, everything that has been done to Jodha-Akbar has been done in a grand scale or maybe, in Ashutosh Gowariker’s way of translating opulence. I always shiver at the prospect of those period drams that graced our silverscreen in recent times, and the apprehensions are still there, restless, but they have been unceremoniously banished to the back of my mind.

The last one that came in during Diwali(not exactly of the epic variety,but the marketing mandarins were adamant!), in an arresting blue afterglow, and spelling out opulence in big, large, cringing NEON from its every set, had me fleeing the Cinema. And that from another acclaimed Director.

For Hrithik Roshan, this is an “epic role”of a lifetime(though I am wondering what would best describe his role as Gautam Buddha for Shyam Benegal’s next project).

This also happens to be Aishwarya Rai-Bachchan’s first release post wedding, so it gains all the more gravitas as it naturally attains the grand inertia of the the First Family of Bollywood. Mme Rai’s last foray into an epic was to say the least “scathing”.

Maybe its just the beginning of epic roles for Hrithik.

Source: Bollywood |Bollywood Blogs

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Film: Sunday

Music Composers: Shibani Kashyap, Daler Mehndi, Amar Mohile, Suroor, Sandeep Chowta, Raghav Sachar

Singers: Shibani Kashyap, Daler Mehndi, Sunidhi Chauhan, Clint, Joy, Mohammed Ali, Kamran Bari, Mahua Kamath, Earl Edgar, Suraj

Ratings: ***

Sunday, directed by Rohit Shetty, holds a couple of surprises for its listeners as far as the music goes. Sandeep Chowta returns to Bollywood with this film and the album also includes a composition by Pakistani band Suroor. And while there is Shibani Kashyap composing and rendering a track, Raghav Sachar too contributes.

There seems to be upbeat trend of having multiple composers for a film album and SUNDAY seems to be one such optimistic presentation. Pop diva Shibani Kashyap, “bhangra” sensation Daler Mehndi, upcoming prodigy Raghav Sachar, contemporaries Sandeep Chowta, Amar Mohile and new kids on block from Pakistan – “Surror” are the chosen one to deliver hot “n” spicy stuff. It can be transitory phase but the results in SUNDAY seem to be swashbuckling with tracks like “Missing Sunday”, “Pyar to Hona Hi Tha” and “Manzar” promising chartbusting success.

Sandeep Chowta gains his phenomenal ground in the marquee by pitching out a really hot and sweltering sluggish paced hip-hop and electronica type of “razzmatazz” fervor in feverishly paced title track “Missing Sunday”. Mahua Kamath, an ex-VIVA group vocalist seductive vocal oomph seems to be getting all playful acts together with impressive Suraj energized vocals joining the fun in tandem. Chowta’s upbeat inundation of hip-hop with tantalizing electronic beat rhythmic patterns collages effervescently with snooty Earl Edger emceeing in making it hot-shot hit track. “Missing Sunday (remix” simply adds more zest to the party but this time it’s more of a sluggish “club-house” stylized work where regular paced vocals gets into groove with subtle instrumental flows. Go get it!

JAL, ROXEN and now SURROR! “Pyar to Hona Hi Tha” (album –“Pyar to Hona Hi Tha”) marks the promising introduction of another prodigal Paki rock band “Surror” into Hindi filmdom with great success and all credits to their sonorously soft vocals, combustible orchestration and lucid wordings. Lead vocalists Kamran Bari along with Mohammad Ali leads the energetic bandwagon of spirited percussionist, flashy guitarist and thunderous arranger that really fires the entire energy on floors. Despite its blistering rock-concert feel, filmmakers have mistaken it as syrupy romantic duet but anyway it’s listening delight all the way. Even its flashy “club” mix gets both feet’s together on floors and with echoing DJ claps and scratches mixing well with snazzy disco beat fillers, its really one great party feeling.

If there was any thunder and edginess in “Talwar Re” (CHOODO NA YAAR) then “Loot Liya” seems to be another extension with spirited “Maharastrian Lavani” folksy touches. Daler Mehndi goes full throttle for this raunchy dancing track where gruffly paced Sunidhi Chauhan joins him in tandem to energize all passion. This coarsely composed folksy composition by Daler Mehndi may not be finest in its league but certainly delivers a pertinent festive feel for the desired situation.

“Kashmakash” tries to be another segment in this svelte sultry femme fatale style of seductive track like “Zinda Hoon Main” (ZINDA), but the ire and incineration of enticing listeners is completely missing. Shibani’s messy composition and Virag Mishra’s unimposing wordings seems to have muddled up all the sensuality in the track. The loud crooning and jarring orchestration sounds haywire and overall impact of scorching hot “item song” is strikingly missing. DJ Suketu’s technical skills improvises its prospects where Shibani’s vocals are at accelerated tempo while racy beat juggling and thumping impacts makes mood merrier with its infectious flow.

Raghav Sachar, the multifaceted musical talent who impounded with his prowess in KABUL EXPRESS makes all trendy moves in striking chord with “rock-cum-jazz” style of arrangement work in “Manzar”. It’s all together hip-shaking groovy number where soft rock concert feel gets tangy with “saxophone” stylized of “jazz” romanticism with dash of hip-hop rendition in delivering a rollicking feel on floors. Sachar’s strong affixation of Sufi music gets energized with Aditya Dhar simple wordings and gels together affably to give another pop genre loving track.

Finally there is “Sunday Theme”, by tried and trusted background scorer Amar Mohile, where the frothy and cheerful feel of “Sunday” is tantalized with varying pitched instrumental flows that amalgamates with choral emceeing (Clint and Joy) of the spirited feel of the film. It’s perfectly balanced to be well suited for beginning or end titles and do experience some hilarious moments getting refurbished on silver screen with “bits and parts” of this chirpy instrumental number.

SUNDAY proves to be bankable commercial preposition where assimilation of many multifaceted prodigies delivers ample moments to cherish for both producers as well as for its listeners. The album promises chartbusting hits in tracks like “Missing Sunday” and “Pyar to Hona Hi Hai” while tracks like “Manzar” and “Loot Liya” are expected to be picking up well with film’s success at box office.

In nutshell, its promising musical farewell to year 2007 and confirmatory success for SUNDAY!

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Watch some cool wallpapers from the movie “Taare Zameen par”

Taare Zameen par stills-5

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Taare Zameen par stills-1

Taare Zameen par stills

still from Taare Zameen Par

Enjoy!!!

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Movie Story
Southall United Football Club is facing its deepest crisis ever. Bankrupt, with no stars, no coach, no sponsors, no takers, no spectators and most importantly no owner.

After the city council sends an eviction notice, it’s the last chance to save the ground, the club and their honor. Now, Southall United must win the Combined Counties Football League in their otherwise last season.

One man’s dream takes the team on a remarkable journey in this football-themed drama. Shaan (Arshad Warsi) takes up the challenge to save the club from extinction.

After a dishonored ex-player, Tony Singh (Boman Irani), joins them as the coach, in spite of being sniggered and laughed at, he and Shaan work to put together a team. It’s hard work as they approach their first game.

Sunny Bhasin (John Abraham) dreams to play for England. But his dream crashes after his club drops him because of the color of his skin. Ironically, Sunny himself had always laughed at his own community and Southall United.

Sunny and Shaan could not agree on many things. Adding to their personal chaos is Shaan’s cousin sister Rumana (Bipasha Basu) who is in love with Sunny.

Tony manages to convince Sunny to play for Southall United. It takes a while before Shaan and the team warms up to Sunny. With Sunny joining Southall United, the team gradually starts climbing the points tally. The city council is worried.

The only goal that the pragmatic Sunny has is winning, with all of the material perks and fame that he can acquire. He is more interested in being noticed himself, than Southall United winning the cup.

Johny Bakshi (Dalip Tahil), a commentator and a frontman of the council, plans to lure Sunny away from Southall United.

Sunny will need to sacrifice everything he believed in for something which he never believed. His love for Rumana, his relationship with his father and his life are at stake.

‘Goal’ is a contemporary story of the Asian community in UK told through the dynamic prism of professional sports. Competitive football only provides the action-packed backdrop, as the story takes an intimate look at a cross-section of Indians, Pakistanis and other Asians living in England.

‘Dhan Dhana Dhan Goal’ is presented by UTV and has music by Pritam chakraborty.

The film is produced by Ronnie Screwvala and directed by Vivek Agnihotri .

The film is set to hit the theatres on November 23.

Cast and their Roles:

John Abraham as Sunny

Sunny is the ace striker whose ambition is to play for the English National team. But he comes in for a rude shock when he is not selected due to the color of his skin. After he joins Southall United he is forced to reconsider his plans. His future as a footballer, his relationship with his father and his girlfriend are at stake and he needs to decide what he must do.

Arshad Warsi as Shaan

The captain of Southall United, he faces conflict with the coach after Sunny is included in the team. Shaan cannot see eye-to-eye with Sunny. He eventually is injured in a game and is replaced. But he tries to make a comeback later on.

Bipasha Basu as Rumana

Shaan’s cousin and a doctor, Rumana is taken on as the team’s physiotherapist. Sunny and Rumana fall in love, complicating things for Shaan. It is her maturity the way she keeps the club’s interest above everything else.

Boman Irani as Tony

He is the coach of the Southall United Football club. He is a traditional coach and considers the team and its players under his rule. An ex player, he was forced out of the game after threats due to extreme racism. As he resurrects the team, he has to fight his own demons.

“Dhan Dhana Dhan Goal” My Movie Page

“Dhan Dhana Dhan Goal” official site

Enjoy!!!

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